“南国人”的上海故事
中国现代主义艺术资源研究
The Shanghai Story of SouthernPeople:
a Study of Chinese Modern Art Resources
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主讲人：李超 (上海大学上海美术学院副院长、刘海粟美术馆副馆长、上海美术学院教授、博士研究生导师，中国美术家协会美术理论委员会委员)
Lecturer:Li Chao (The associate dean of Shanghai Academy of Fine Arts,Shanghai University, deputy director of Liu Haisu Art Museum,professor and doctoral supervisor at Shanghai Academy of Fine Arts,Shanghai University, a member of Fine Arts Theory Committee of theChina Artists Association)
讲座时间：2020年5月10日（周日）15:00
Time: 15:00，Sunday, May 10th, 2020
讲座平台：腾讯会议
Platform: Tencent Meeting
会议号码：114 178 599
Meeting ID：114 178 599
点击链接入会，或添加至会议列表：
https://meeting.tencent.com/s/5VynIka1cc33
Click the link to join, or add to the list ofmeetings:
https://meeting.tencent.com/s/5VynIka1cc33
主办单位：广州美术学院美术馆
Organizer: Art Museum of Guangzhou Academy of Fine Arts
讲座内容
Lecture outline
本讲座以20世纪30年代倪贻德《艺苑交游记》所记“南国人”为线索，主要集中杨秋人、阳太阳等南方艺术家“上海时期”的珍贵历史史实分析与解读，并基于上海作为中国近现代“新兴艺术策源地”，相关“卢湾”南区与“虹口”北区文化地带，所呈现的美术教育、社团、创作、研究、传播等协同现象，表明中国近现代美术名家的“上海时期”的历史作用和影响力，形成20世纪中国美术独特的国家记忆；同时选取杨秋人、阳太阳参与决澜社活动的核心文献，进行艺术之物与历史之物的复合，藉此讨论沪粤地区近现代美术资源整合，相关数据库建设与馆藏体系建构的合作共享机制与工作路径，深度思考中国现代主义艺术资源保护与转化问题。
This lecture is based on Ni Yide's description of"southern people" in his book Yi Yuan Jiao You Ji in the 1930s,mainly focuses on the analysis and interpretation of precious historical factsof the "Shanghai period" of southern artists such as Yang Qiuren,Yang Taiyang and so on, and based on the fact that Shanghai is the source ofChinese modern and contemporary "emerging art", the collaborativephenomena of art education, associations, creation, research and communicationpresented by the related cultural areas as south of Luwan District and North ofHongkou District, indicate the historical role and influence of the"Shanghai period" of Chinese modern and contemporary art masters, andform the unique national memory of Chinese art in the 20th century; and thecore documents of Yang Qiuren and Yang Taiyang’s participation in the StormSociety were selected to recombine the artistic objects and historical objects,thereby to discuss the integration of modern art resources in Shanghai andGuangdong, the construction of related database and the cooperative and sharingmechanism and working path constructed by the collection system, and deeplythink about the protection and transformation of Chinese modern art resources.
1932年10月10日，决澜社第一次展览会在上海中华学社举行。图为其主要成员合影。后排左二为杨秋人，后排左三为阳太阳。
On October 10, 1932, the first exhibition ofthe Storm Society was held in Shanghai Chinese Society. The picture is a groupphoto of its main members. In the back row from left: the second is YangQiuren, the third is Yang Taiyang.
阳太阳《风景》，1932年作于上海。
Yang Taiyang, Landscape, 1932, Shanghai
阳太阳《静物》，1933年作于上海。
Yang Taiyang, Still Life, 1933, Shanghai
杨秋人《男像》，1934年作于上海。
Yang Qiuren, Portrait of a Man, 1934, Shanghai
杨秋人《肖像》，1935年作于上海。
Yang Qiuren, Portrait, 1935, Shanghai
讲者简介
About the lecturer
李超
Li Chao
李超，2004 年毕业于中国美术学院，获博士学位。现为上海美术学院副院长、刘海粟美术馆副馆长，上海美术学院教授，博士研究生导师，中国美术家协会美术理论委员会委员。2009 年获得首届“中国美术奖·美术理论评论奖。2018 年主持国家社会科学基金艺术学重点项目“中国近现代绘画作品海外收藏研究”。主要学术成果有《上海油画史》、《中国早期油画史》、《中国现代油画史》、《中国近代外籍移民美术史》、《架上的缪斯》、《中国油画研究系列》、《中国近现代美术期刊集成》、《中国近现代美术文献十讲》、《上海的客厅》等。
Li Chaograduated from China Academy of Art with a doctorate in 2004. He is nowthe associate dean of Shanghai Academy of Fine Arts, ShanghaiUniversity, deputy director of Liu Haisu Art Museum, professor anddoctoral supervisor at Shanghai Academy of Fine Arts, Shanghai University, amember of Fine Arts Theory Committee of the China Artists Association. In 2009,he won the first "China Awards of Fine Arts & Theory ReviewAwards". In 2018, he presided over “Research on the OverseasCollection of Chinese Modern Paintings”, which is a Major Art Project of TheNational Social Science Fund of China. His major academic achievements areA History of Oil Painting in Shanghai, A History of EarlyPeriod Oil Painting in China, The History of Chinese Modern Oil Painting, TheHistory of Art by Immigrants in China, Muses on the Easel: A Collectionof Random Thoughts on Oil Painting, The Chinese Oil Painting Research Series, ACollection of Journals of Chinese Modern Fine Arts, Ten Lectures about ChineseModern Fine Arts, Drawing Room in Shanghai and so on.
